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<channel>
	<title>Somebody Somewhere</title>
	<link>https://somebodysomewhere.today</link>
	<description>Somebody Somewhere</description>
	<pubDate>Fri, 24 May 2019 11:03:00 +0000</pubDate>
	<generator>https://somebodysomewhere.today</generator>
	<language>en</language>
	
		
	<item>
		<title>Video 1</title>
				
		<link>https://somebodysomewhere.today/Video-1</link>

		<pubDate>Fri, 24 May 2019 07:38:32 +0000</pubDate>

		<dc:creator>Somebody Somewhere</dc:creator>

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		<description>









SOMEBODY

 SOMEWHERE

SITUATING THE SUBJECTIVE
BODY
IN SENSIBLE SPACE







︎︎︎</description>
		
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	<item>
		<title>Collection 1</title>
				
		<link>https://somebodysomewhere.today/Collection-1</link>

		<pubDate>Fri, 24 May 2019 07:38:32 +0000</pubDate>

		<dc:creator>Somebody Somewhere</dc:creator>

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		<description>THE INTERTWINING (CHIASM)











Somebody Somewhere explores the intertwining of subject and space, through a new body of work created alongside a reading of Maurice Merleau-Ponty’s posthumously published work, The Visible and the Invisible.
It is an ongoing collection of paintings and illustrations, sculptures, printed matter, soundscapes, and moving image.
︎ MORE

</description>
		
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	<item>
		<title>Video 2</title>
				
		<link>https://somebodysomewhere.today/Video-2</link>

		<pubDate>Fri, 24 May 2019 07:38:33 +0000</pubDate>

		<dc:creator>Somebody Somewhere</dc:creator>

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		<description>

THE LANDSCAPE OF DESTRUCTION IS STILL A LANDSCAPE
STOP MOTION INK DRAWINGS — 2019
</description>
		
	</item>
		
		
	<item>
		<title>Collection 2</title>
				
		<link>https://somebodysomewhere.today/Collection-2</link>

		<pubDate>Fri, 24 May 2019 07:38:33 +0000</pubDate>

		<dc:creator>Somebody Somewhere</dc:creator>

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		<description>

GLASS MOUNTAIN︎25/11/2018




︎ SURPRISES IN THE LANDSCAPE, 2019 – CLAY, ACRYLIC GLAZE


</description>
		
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	<item>
		<title>Video 3</title>
				
		<link>https://somebodysomewhere.today/Video-3</link>

		<pubDate>Fri, 24 May 2019 07:38:33 +0000</pubDate>

		<dc:creator>Somebody Somewhere</dc:creator>

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		<description>S.S. W.I.P.
BOOK FRAGMENTS, PRINTED MATTER — 2019
RISOGRAPH &#38;amp; LETTERPRESS
︎ MORE</description>
		
	</item>
		
		
	<item>
		<title>Collection 4</title>
				
		<link>https://somebodysomewhere.today/Collection-4</link>

		<pubDate>Fri, 24 May 2019 07:58:54 +0000</pubDate>

		<dc:creator>Somebody Somewhere</dc:creator>

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		<description>

“Our perceived world is structured by a plurality of overlapping perspectives, within which different aspects are somehow seen together; aspects of just one world.” 
1
VIDEO ESSAY&#38;nbsp;︎




</description>
		
	</item>
		
		
	<item>
		<title>Video 4</title>
				
		<link>https://somebodysomewhere.today/Video-4</link>

		<pubDate>Fri, 24 May 2019 07:59:10 +0000</pubDate>

		<dc:creator>Somebody Somewhere</dc:creator>

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		<description>H&#38;gt;I&#38;gt;A&#38;gt;S&#38;gt;E
12/03/2019


	MICHEL DE CERTEAU MAKES THE DISTINCTION BETWEEN “SPACE” OR ESPACE AND “PLACE” OR LIEU. ︎

“Thus,” he says, “space is composed of intersections of mobile elements,” that is, directions, velocities, and time. Although both terms, according to de Certeau’s usage, do differentiate between two different perceived fields or areas, both “space” and “place” may refer to one particularity, though focus in on two different aspects of the same thing, where “place” refers to a location and “space” refers to what de Certeau calls a “practiced place.” What lies before you, then, is both and neither, which is what Merleau-Ponty presumably referred to by asserting that “space is existential” and “existence is spatial.”

“This experience is a relation to the world; in dreams and in perception, and because it probably precedes their differentiation, it expresses ‘the same essential structure of our being as a being situated in relationship to a milieu’—being situated by a desire, indissociable from a ‘direction of existence’ and implanted in the space of a landscape.” &#38;nbsp;︎&#38;nbsp;“From this point of view ‘there are as many spaces as there are distinct spatial experiences.’ The perspective is determined by a ‘phenomenology’ of existing in the world.” 3</description>
		
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	<item>
		<title>Collection 3</title>
				
		<link>https://somebodysomewhere.today/Collection-3</link>

		<pubDate>Fri, 24 May 2019 07:38:33 +0000</pubDate>

		<dc:creator>Somebody Somewhere</dc:creator>

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		<description>THE ABSENCE OF FIELD
︎ HAND CAST SCULPTURES MADE OF JESMONITE, CLAY, AND PLASTER&#38;nbsp;
︎ “IN A FIELD
I AM THE ABSENCE

OF FIELD4︎ “Being is occultated across the very spatio-temporal spread of its apparition, that is true; but what we need then to come into contact with its full spread is not a method of undoing the distances to achieve immediate presence and coincidence with it, but rather the ‘idea of proximity through distance, of intuition as auscultation or palpation in depth.’”

︎ MORE
</description>
		
	</item>
		
		
	<item>
		<title>Video 4 copy</title>
				
		<link>https://somebodysomewhere.today/Video-4-copy</link>

		<pubDate>Fri, 24 May 2019 11:03:00 +0000</pubDate>

		<dc:creator>Somebody Somewhere</dc:creator>

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		<description>RUNNING
 READING LIST

	1 The Visible and the Invisible

MAURICE MERLEAU-PONTYConversations About Sculpture
RICHARD SERRA / HAL FOSTER
3 The Practice of Everyday Life
MICHEL DE CERTEAU


	4 "Keeping Things Whole"MARK STRAND
&#38;nbsp;Religion and Nothingness
KEIJI NISHITANI

WORKING NOTES (TINYLETTER) ︎
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